Henri Nouwen was an internationally renowned priest and writer. He died 25 years ago, on September 21, 1996. Fr. Nouwen authored 39 books, and his personal favorite was The Return of the Prodigal Son. I have read only a few of his books, but The Return is my favorite also.
"The Prodigal Son" by Rembrandt |
A Bit about Nouwen
Henri Nouwen was born in Holland in January 1932. He was
ordained in 1957, and then after studying psychology at a Catholic university
in Holland he moved to the U.S. in 1964 to study at the Menninger Clinic in
Topeka, Kansas.
Nouwen went on to teach at the University of Notre Dame and
at the divinity schools at both Yale and Harvard. But as an advocate of
“downward mobility,” in the early 1980s he lived and worked with the poor in
Peru, and then in 1985 he joined the first L’Arche community, which was in
France.**
In 1986 Nouwen visited the Hermitage in St. Petersburg,
Russia, and spent hours and hours looking at and meditating on Rembrandt’s 1669
painting titled “The Prodigal Son.” In the Prologue of his book, he describes that
encounter with Rembrandt’s famous painting.
Also a Dutchman, Rembrandt died at age 63. Nouwen died at
age 64, four years after his book The Return of the Prodigal Son was published
in 1992.
A Bit about Jesus’ Parable
There are three main parts in Nouwen’s engrossing book: The
Younger Son, The Elder Son, and The Father. Those of us who grew up in
evangelical churches have heard most about the younger son: after all, he was
the “prodigal” in the usual title of Jesus’ parable recorded in Luke 15:11~32.
Evangelistic sermons on that parable
usually concluded with an “invitation” that sometimes included singing the hymn
“Softly and Tenderly” with this refrain,
Come home, come
home,
Ye who are weary, come home;
Earnestly, tenderly, Jesus is calling,
Calling, O sinner, come home!
Jesus’ point in his parable, though, was about the elder
son. Luke 15 begins, “Now all the tax collectors and sinners were coming
near to listen to him. And the Pharisees and the scribes were grumbling and
saying, ‘This fellow welcomes sinners and eats with them’” (vv. 1-2, NRSV).
So Jesus told the parable to liken the Pharisees and scribes to
the elder son, whom the father also dearly loved.
The parable also is about the father, who sometimes (such as
by Michael Denk, here),
is referred to as the “prodigal father.”
Fr. Denk points out that prodigal can mean lavish
and Jesus’ parable teaches that “all it takes is one step towards Him and The
Prodigal Father will lavish you with His grace, tenderness, and unconditional
love.”
The Point of Nouwen’s Book
Currently, one of the major criticisms of traditional
Christianity by the younger generation is that it is too judgmental. So now,
even more than thirty years ago when it was first written, Christians need to
take to heart Nouwen’s main point: we need to be more like the compassionate father.
Nouwen puts considerable emphasis on the father’s hands in
Rembrandt’s painting. The two hands on the kneeling younger son are different:
one is a strong masculine hand but the other is a tender feminine hand. Nouwen declares
that this depicts the “love of God who is Father as well as Mother.”
In his concluding chapter, Nouwen asserts, “Becoming like
the heavenly Father is not just one important aspect of Jesus’ teaching, it is
the very heart of his message”—and the key characteristic of the heavenly
Father/Mother is not judgment, it is compassion.
Nouwen writes, “Looking at
Rembrandt’s painting of the father, I can see three ways to a truly compassionate
fatherhood: grief, forgiveness, and generosity.” And he concludes his book with
these words:
As I look at my own aging hands, I know that they have been given to me to stretch out toward all who suffer, to rest upon the shoulders of all who come, and to offer the blessing that emerges from the immensity of God’s love.
May we all become more like the compassionate
father—and like Henri Nouwen.
_____
** In January, I read Nouwen’s
small book The Selfless Way of Christ: Downward Mobility and the Spiritual Life (2007). I noted, This was a small but quite profound book that could/should be read often.
Nouwen left us with some marvelous spiritual reflections, and you have highlighted them well. He himself, though, suffered a great deal in his life by surrendering to an authoritarian anti-sensual Christianity, which I am finding myself increasingly critical of as I get older.
ReplyDeleteThanks for your comments, Anton. Here is the link to a 2021 article titled "Henri Nouwen: Priest and author who struggled with his homosexuality": https://qspirit.net/henri-nouwen-homosexuality/ . That article by Kittredge Cherry, a lesbian Christian author, has an abundance of information (with the links) about Nouwen.
DeleteLocal Thinking Friend David Nelson sent the following comments before 6:30 this morning:
ReplyDelete"Thanks for another beautiful reflection. Our adult class at church used this book several years ago and it provided rich thoughts for us to discuss. Nouwen’s books are always well organized which makes them excellent resources for personal and small group conversations.
"The book also invited me to stand in front of other paintings and ponder the many messages that are present. Some insights are intended by the painter and some come from within the viewer."
Thanks, David, for reading the new blog post and responding so early this morning.
DeleteYes, I am afraid that many of us (that I) want to see so many works of art when going to an art museum, such as Nelson-Atkins here in Kansas City, that we fail to stand/sit long enough before individual paintings, etc., in order to begin to grasp all that is embedded in those works of art.
Here are comments received just now from Thinking Friend Eric Dollard in Chicago:
ReplyDelete"Thanks, Leroy, for your comments about Henri Nouwen and the story of the Prodigal Son. I have heard of Nouwen, but I have not read any of his writings.
"The story of the Prodigal Son is a great story about forgiveness and redemption and, as you correctly point out, it is more about the older son and the father than the returning son.
"The story reminds me of the story of the adulteress in John 7:53-8:11, a very moving story that does not, curiously, appear in the oldest manuscripts of John, although it is found in one manuscript of Luke. The story seems to be more in line with Luke's perspective.
"These stories also bring to mind our penal and judicial systems in which punishment, rather than redemption, is emphasized. But that is an issue for another time."
Thanks, as always, for your comments, Eric--and thanks for bringing up the subject of punishment. I have been thinking some about the purpose and value of punishment. Maybe that will grow into a blog article in a few weeks.
DeleteHere are comments from Thinking Friends who have sent brief comments:
ReplyDelete"The prodigal ... probably the most vital ideal reflection of all we lack and all we can be in these days of darkness and selfishness. Thanks for the reminder." (Michael Olmsted, Springfield, Mo.)
"A lovely tribute to Nouwen, Leroy." (Glenn Hinson, Kentucky)
"Thank you, Leroy. We all needed to read this. Henri Nouwen is one of my favorite authors. He appeals to my gentle soul who loves Jesus." (Sharon LaRose, Arizona)
"Good book and good blog!" (A TF in Maryland)
Excellent article, Leroy. I remember when I participated in a retreat with Nouwen at the Church of the Savior's Festival Center in Washington, DC in 1991, not long before this book was published in 1994. I had just started teaching at Howard Div. Nouwen had a large reproduction of the painting, and during the retreat he talked about his experience of seeing the painting. It had obviously moved him deeply. The highlight of the retreat was when Nouwen invited me to his Festival Center room for discussion. We did not feast on fatted calf but milk and cookies, I think.
ReplyDeleteWow, that was special for you to hear Fr. Nouwen talk about Rembrandt's painting even before he wrote the book.
DeleteMy good friend Gary Barkley had a large reproduction of the painting in his office at Seinan Gakuin University, and I borrowed it a couple of times to show when preaching on the prodigal son passage in Luke.
Like you, I've read a few of Nouwen's books. I particularly like "The Wounded Healer."
ReplyDeleteBeing the eldest sibling, I empathize with the eldest son. He is a responsible and loyal human being. The parable does not have a conclusion, rather it is open ended, leaving us with at least one important question: Did the eldest son accept the father's invitation?
Thanks, Garth, for mentioning "The Wounded Healer," which is certainly one of Fr. Nouwen's most important books. I was hoping someone would refer to it.
DeleteBut since, as I wrote, Jesus told the parable for the sake of the Pharisees and scribes who had negative things to say about him, I'm afraid most of those represented by the eldest son did not accept the father's invitation.
Nouwen is a familiar name, but not someone I have read. I am delighted to learn a bit more about him. One thing that struck me was his deep experience with a particular painting, for I remember a similar experience. Many years ago I was reading an essay in Time magazine, I believe by Robert Hughes (author of book and TV series "Shock of the New"). He was discussing a picture by Vemeer of a woman holding a balance scale. You can see the painting from the National Art Gallery here: https://www.nga.gov/collection/art-object-page.1236.html
ReplyDeleteLet me start by saying I am wondering if there are multiple versions of the painting, since I remember it slightly differently, but this is close enough to make my point. I thought Hughes had missed the main point. Vemeer was not painting a question, but a worldview. The first key point was that the woman is pregnant. (Becky agreed with me on that.) One side of the balance points to jewels (which I remembered as coins), but the other points to her pregnancy. Behind her hangs a picture reminiscent of Michelangelo's Last Judgment, in the Sistine Chapel, but distinctly different. For Michelangelo his painting was a throbbing reality. For Vemeer the judgment picture is overwhelmed by its gold framing. It has receded into the background behind the pregnant woman. Yet together they conjure the great cycle of birth and death.
On the left side of the painting, light plays through a window, making abstract patterns on the wall. It gently lights the woman and her project. It hints at something amazingly modern. (Again, for this I remember a partially open door, not a window, but the effect is similar.) Together, the parts of the picture provide a worldview at peace with itself, even as it spans the medieval and the modern. This is the headspace I try to live in. If my memory of Hughes' long-ago Time article is as foggy as my memory of the painting, I apologize for any misinterpretations. Also, cheers for the National Art Gallery, which has placed the photo of Vemeer's painting in the public domain.
Thanks for posting these comments, Craig. I was not familiar with the Vermeer painting you mentioned, but the image on the website you posted made me think that, yes, this is a painting that one could ponder with profit for a long time--but maybe not for as long as Fr. Nouwen gazed upon "The Prodigal Son."
DeleteThis afternoon I received the following email from Thinking Friend Frank Shope in New Mexico:
ReplyDelete"What a joy to be reminded of Nouwen. He has had great influence in my life and helped me with so much personal/spiritual development. I was grieved when he died and always remember him leaving his profitable, prestigious career to minister to the 'unknowns' of this world. One of the most beautiful stories he told was about a resident giving him a hug after communion. He accepted it as a gift of 'communion' from the resident. The story, his writings, and his life have been a gift of 'Holy Communion' to me."
This morning Thinking Friend Greg Hadley in Japan sent these comments in an email:
ReplyDelete"I have been thinking about your blog post for a few days now. I loved Nouwen’s writing, and your reminder of his work around the Prodigal Son and the further thoughts on the nature of God as the compassionate (or as others have said ‘prodigal’) Father are comforting. More need to know and believe this message. People will come to God in love and yearning, not in the fear and shame often put up as barriers during so many fundamentalist alter calls."